$414 NBK MJC-95K-WH-1 3/8-38 Jaw Flexible Coupling, Set Screw and Key Industrial Scientific Power Transmission Products Couplings, Collars Universal J NBK MJC-95K-WH-1 3 8-38 Jaw Flexible Set and Key 5 ☆ very popular Coupling Screw $414 NBK MJC-95K-WH-1 3/8-38 Jaw Flexible Coupling, Set Screw and Key Industrial Scientific Power Transmission Products Couplings, Collars Universal J www.svbenin.com,Flexible,and,Industrial Scientific , Power Transmission Products , Couplings, Collars Universal J,NBK,$414,Coupling,,Jaw,MJC-95K-WH-1,Set,3/8-38,/blowze1905439.html,Screw,Key www.svbenin.com,Flexible,and,Industrial Scientific , Power Transmission Products , Couplings, Collars Universal J,NBK,$414,Coupling,,Jaw,MJC-95K-WH-1,Set,3/8-38,/blowze1905439.html,Screw,Key NBK MJC-95K-WH-1 3 8-38 Jaw Flexible Set and Key 5 ☆ very popular Coupling Screw

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NBK MJC-95K-WH-1 3/8-38 Jaw Flexible Coupling, Set Screw and Key

$414

NBK MJC-95K-WH-1 3/8-38 Jaw Flexible Coupling, Set Screw and Key

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Product description

NBK - MJC-95K-WH-1 3/8-38 Jaw Flexible Coupling, Set Screw and Key Type - 3.74"x4.96"x4.96", Bore Diameters 1-3/8" and 38 mm, Rated Torque 265, Max Torque 530, Max Rotational Frequency (min-1) 6000, Moment of Inertia 2.3x10^-3, Static Torsional Stiffness (N.m/rad) 6200, Max Lateral Misalignment (mm) 0.15, Max Angular Misalignment 1°, Max Axial Misalignment 0~+ 2.0, Sleeve Hardness A92, Mass 1500 g.

NBK MJC-95K-WH-1 3/8-38 Jaw Flexible Coupling, Set Screw and Key

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Mitski

Bury Me at Makeout Creek

November 25, 2014

Alternative Singer/Songwriter

This third studio release from (now famous) indie artist, Mitski, takes a dive into the way a song's production can enhance a track. Differing from her previous albums and their polished sound, Bury Me At Makeout Creek can serve as an origin to the experimental production seen in her future albums for newer listeners interested in seeking out similar releases to one of her most recent and popular tracks, "Nobody."

- Kylie Lynne

Fred Neil

Fred Neil

December, 1966

Folk-Rock

The singer/songwriter's second album is a gem that continues to stand outside of time decades later. The beautifully sad, introspective songs of weary modern urban disaffection that Neil brought to these sessions in 1967 are among the best he ever wrote, and the perfectly balanced electric instrumentation suits them to a T.

- Steve Leggett